Today I thought I would look at several
techniques where both hands apparently strike at the same time.
The targets and techniques given in this article are potentially lethal. They are only to be used in life-or-death situations.
The first technique will be familiar from
my book. It is “arn” from Tai chi. “Arn” means “press” but is often
translated as “push”. Indeed, it does look like you are trying to push
something. One of the maxims of Tai chi is that you should never be “double
weighted”. You should never have your weight equally distributed between your
feet and your hands should never be equally yin
or yang. Arn seems to violate this principle. The common explanation is that
arn is in reality two palm-strikes
arriving in quick succession. The hands are hitting rather than pressing or
pushing, and one strikes just before another.
Arn can be a powerful attacking technique.
In a frontal attack the hands strike the dim-mak points around the pectoral
muscles or use the springiness of the foe’s own ribs to bounce him away. As I
have said before, this is a fighting technique that is overlooked by many other
styles.
A number of combat styles do not share
Tai chi’s aversion to being double weighted and include simultaneous striking
techniques
Another thing to remember when
interpreting forms is that if two hands are doing the same thing in a form that
is not necessarily how they are intended to be used in combat. A form may have,
say, double spear hands but in reality one spear-hand would be a feint while
the other hand was used to parry or readied for a more powerful follow-up.
The second technique we will look at
comes from Chuka, Phoenix-eye fist.
Both hands are held palm upward in phoenix-eye configuration. The wrists or
forearms are crossed, the lead hand being underneath. Both hands punch at once,
the hands rotating palm down. The lead hand strikes low, the rear hand high. I
regard phoenix-eye and one-knuckle fist as soft-tissue weapons so primary
targets will be above the suprasternal notch and below the xiphoid process. The
xiphoid/solar plexus region and a palm-width below the navel is another
pairing.
A similar simultaneous attack is the
double dragon palms, sometimes called butterfly palms. This is a double palm
strike with one hand above the other. The upper hand has its fingers up, the
lower hand fingers down. This can be used on the same targets as double
phoenix-eye punches. Palm strikes are a weapon for both hard or soft body areas
so this technique can also be used directly against points on the sternum such
as between the nipples or the sternal angle.
If you are using both hands to attack it
implies that you have less need to parry or control. Such attacks are therefore
a more likely option when on the outside gate. So far we have considered
frontal attacks. How might the above techniques be targeted if to the side of
an enemy?
Double palm strike (po pai and other spelling variations) is used several times in Wing
chun’s advanced-level wooden man form. Palm striking is rather common in this
form, in contrast to the snap punches used in earlier forms. Wing chun students
may like to ponder why this is so.
The last technique returns us to Tai chi.
It is shown in “How to use Tai chi as a Fighting Art” by Erle Montaigue and is used as a counter
to double dragon palms. One hand is held above the other, palms flat and
fingers towards the enemy. The hands come in from the side to push the dragon
palms off course. The finger tips then thrust forwards to attack the body
beyond.